The Expository Mode (Voice of God)
The Expository mode is documentary style, this is a commonly used in traditional documentary. It is a documentary that is often presented over a voice over, what this does is that it create a narration of the visuals content because it allows the audience to believe of what is on screen.The example that I have found that define this mode is from The Cosmos by Morgan Freeman.
The realism and dramatisations that is placed in the documentary is the sound, what we can hear is the voice over of Morgan Freeman, what this voice is telling the audience is what is happening on screen or what the representation of the object on screen mean. The voice that is used is an clam and relaxing voice that is attracted by the audience. The voice that are used are normally white male, or in this case it is black man with an educated American accent. The structure placed in the documentary slowly builds up as there is a point at the begging, and there there is explanation and example of the point giving in the documentary and then there is a conclusions at the end of the documentary.
How the audience interpret this is that voice over ,this represented to the audience as guidance because it tell them what there should think of what is happening on screen, it supposedly telling what is right and what is being is content that is truthful.
The Observational Mode (Window on the world)
The Observational mode is a documentary style that came together in the late 1950s and 1960s, it is a documentary is is filmed that has not influence placed on top, It is filmed with a neutral observations , it is presented with what you would see in reality.The documentary that we see this at is Delorean Pennebakers documentary
The realism aspect that the documentary maker use to show the is sound were we hear this at is 14:00, is that there is poor sound because there is a lot of background sound placed in the documentary because the footage has not been edited with, as there just follow around the subject of the documentary, with no significant influence in the documentary.
How the audience interpret the mode of the documentary is that there can see in the documentary that there no influence placed on the documentary that would impact the meaning of it what this could be is the editing done such as voice over placed on top. The audience only see that there are meant to see is the truth of what is happening.
The dramatisation elements that this shown in the documentary is the camera we can see this 10:12, were we can see the subjects around the table speaking, but there not a high uses of cuts placed in the section, this is to show the whole documentation truth without any parts cut out without bringing any influences in to the conversation being shown.
We see a structure of the documentary of having raw footage and archive footage to be placed together ,as not a lot of the documentary is filmed by the film maker, as there was no editing structure placed, because we see the camera roll without any cuts abstracting the meaning.
The Expository Mode (Voice of God)
The Expository mode is documentary style, this is a commonly used in traditional documentary. It is a documentary that is often presented over a voice over, what this does is that it create a narration of the visuals content because it allows the audience to believe of what is on screen.The example that I have found that define this mode is from The Cosmos by Morgan Freeman.
The realism and dramatisations that is placed in the documentary is the sound, what we can hear is the voice over of Morgan Freeman, what this voice is telling the audience is what is happening on screen or what the representation of the object on screen mean. The voice that is used is an clam and relaxing voice that is attracted by the audience. The voice that are used are normally white male, or in this case it is black man with an educated American accent. The structure placed in the documentary slowly builds up as there is a point at the begging, and there there is explanation and example of the point giving in the documentary and then there is a conclusions at the end of the documentary.
How the audience interpret this is that voice over ,this represented to the audience as guidance because it tell them what there should think of what is happening on screen, it supposedly telling what is right and what is being is content that is truthful.
The Observational Mode (Window on the world)
The Observational mode is a documentary style that came together in the late 1950s and 1960s, it is a documentary is is filmed that has not influence placed on top, It is filmed with a neutral observations , it is presented with what you would see in reality.The documentary that we see this at is Delorean Pennebakers documentary
The realism aspect that the documentary maker use to show the is sound were we hear this at is 14:00, is that there is poor sound because there is a lot of background sound placed in the documentary because the footage has not been edited with, as there just follow around the subject of the documentary, with no significant influence in the documentary.
How the audience interpret the mode of the documentary is that there can see in the documentary that there no influence placed on the documentary that would impact the meaning of it what this could be is the editing done such as voice over placed on top. The audience only see that there are meant to see is the truth of what is happening.
The dramatisation elements that this shown in the documentary is the camera we can see this 10:12, were we can see the subjects around the table speaking, but there not a high uses of cuts placed in the section, this is to show the whole documentation truth without any parts cut out without bringing any influences in to the conversation being shown.
We see a structure of the documentary of having raw footage and archive footage to be placed together ,as not a lot of the documentary is filmed by the film maker, as there was no editing structure placed, because we see the camera roll without any cuts abstracting the meaning.
The Participatory Mode (Also called Interactive)
The Participatory Mode is a documentary style is that we know who the film maker is, what is displayed to show is that there is a direct engagement between filmmaker and the subject. as there subject is accepting the presenter to film them and there topic there have been interested to document.
Were we can see the realism aspect of the documentary is at 12:16 were we see the camera language showing the realism aspect of the documentary what you can see is that there camera is hand held and recoding the presenter and Micheal climbing the tree.
Where you see this is in the documentary about living with Micheal Jackson.
Where we can see the dramatisation of the documentary is at 51:13 were we see Micheal walking with his children and the participant of the children placed in create a dramatised look as the children identity are covered by mask, we cant see what there look like.
The Narrativisation that is shown in the structure, as we see in the documentary is a day with Michael, what we see is what he goes through everyday, and the rituals he goes through and what he experiences and he involves the presenter into his life style.
How the audience interprets the mode, is from the camera language used is that it make it more realistic because of the shake camera, as we see is an impact on to the camera which represent the impact of Michael life. The audience also see that he had keep his kids hidden, as what this does is that it allows the presenter to personally ask him why and to bring out the truth from the subject.
The Reflexive Mode (Awareness of the process)
The Reflexive mode is a documentary style that is presented from different prospective. As the style present information that is a truth but is not the truth as. what this mean is that there is truth being told by each prospective but it not necessarily the whole truth being told. Were this could be show is in the documentary Road To Guantanamo.
The documentary maker uses the use of Camera language to show realism into it we can see this at 3:00 what we can see is that the camera is hand held and following them around in a natural status, it is being represented as in the location of where this has being reconstructed on.
The mise-en-scenes that is placed by the documentary makers to make to show the dramatisations is placed at 33:58 what we can see is that the lighting is the documentary is dark and unclear do to the lack of light this could be due to the lighting condition in the locations to match the event of the reconstructions.
The documentary maker creates it with a structure, what is seen is the stage of the reconstruction of the events of what the victims when through and how there got in the positions.
How the audience interpreted the mode, is the camera language that is used is represented as realistic elements of the documentary, what is being shown in the documentary is the reconstructions of event that had happening with at least some of the truth being told.
The Performative Mode - Filmmaker as participant
The Performative Mode is a documentary style that involves the presenter into the documentary situations, as there are apart of the situation. It is were the main presenter put him/her self in the situation to gather information truthfully as there are placed in the topic which show primary information. We can see the example of this in the documentary of Trumpland by Michael Moore.
How the documentary maker has used camera language to show realism of the documentary this is shown at 4:18, we get to see the camera language of being hand held, as this visuals is represented to be in the heart of the subject of the topic, it is to show the condition and the location Moore is at.
The documentary makers also used is sound to show the dramatisations this is shown at 5:48, what we can hear is that distortions of the sound, which make the documentary look ruff, and dramatics because it is out in the open as non professional equipment where used , as this is raw view of the documentary.
The narrativisation that is used in the documentary is the contraction of it , what we see is that Micheal Moore is going around telling the USA pubic the truth we see him going to different location and putting himself in front to talk about the politics.
How the audience interpreted the mode, is the camera language is used is seen as hand held and the sound is not clear, what this does is that it represent the documentary as being real and truthfully as there is a minimal about of editing placed, which make to the realistic as possible, as we see the filmmaker personally get involved to find and tell the truth about the politics.
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